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Ballet Star Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I'm Not Protective About My Body'

In the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is naturally straight-backed, his arms muscular beneath a plain tee. During performances, dancers can appear as mighty deities, yet often offstage they are petite. This is not true for Ball, whose height is part of his popularity for heroic roles and partnering. Possessing fine traits and piercing eyes, there's a hint of a brooding actor about him.

A Seamless Ascent to the Top

At 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal teasing for his childhood interest in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was advanced annually, attaining the top rank of lead dancer in 2018. He has relished tackling meaty dramatic roles, particularly the emotional angst found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next featured role is as himself, in an "Evening With" series designed to offer intimate perspectives into a performer's craft. He will walk the crowd through a part, showing his cognitive workflow while performance. Even in lighter works, the challenge is significant. "Don Quixote is one of the most demanding from a skill perspective," he states.

The Mental Game and After the Show Feelings

What about following a show, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get immersed in the role, frequently I do feel self-conscious later. After Mayerling I'm always like: Wow, what must people think?"

In person, Ball is reflective, mild-mannered, and prone to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an catalyst for good change."

Formative Drivers and Creative Influences

Ball's tenacity originated in early setbacks. Not doing well in competitions at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming challenge is creating his own dance works. In his view, "there's nothing wrong with." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, music, and art.

Close-Up Performance and Personal Partnership

He also favors presenting dance in more intimate spaces. "It was just really exciting," he says of a previous experience. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not typically paired on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite supporter."

On Social Media and Bodily Perception

On Instagram, fans can see clips from his projects and images that highlight a sculpted physique. Does he care that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be seen on various ways.

Ball characterizes his early self as "eager for success." Did it lived up to his hopes? "I am conscious of how reality is a different thing to the aspirations you made as a child," he reflects. He probably has about decade of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

HG
The writer

Harry Garza

Elena Vance is a technology strategist with over a decade of experience in IT consulting and digital transformation for SMEs across the UK.

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